Is this the next step in Social TV? From contextual enhancement and enrichment to being an intrinsic part of the content. I like the idea, and this would be marketers' heaven, devoted attention to and co-creation of the content and experience. This is how Hollywood acts as an open business platform for personalized prosumed experiences.
The INSIDE page on Facebook says:
Inside consists of film, videos and social media interactions. These pieces will live organically on Facebook, Twitter and YouTube. But you can also see all highlights and films in one place at http://www.theinsideexperience.com/, as events happen.
Intel and Toshiba present a Social Film experience, from the director of “Disturbia,” starring Emmy Rossum and You.
Christina is a tough, resilient, 24-year old girl. She’s been trapped in a room. She has a laptop. And she needs your help to get out.
Have a look at the website of INSIDE.
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“More and more, TV watching is becoming a two-screen experience, where viewers are engaging with another device while watching TV,” said Sean Casey, founder and CEO of SocialGuide. “SocialGuide and its apps make it easier for TV viewers to decide which shows to watch, while also allowing them to interact with friends, fellow fans, cast members and athletes as they watch their favorite programming. The real opportunity for a social experience around TV happens as TV airs, and we’re excited to extend our website’s capabilities to mobile devices in order to make the two-screen experience even better.”
SocialGuide’s Social Programming Guide (“SPG”) ranks programs in order of their real-time social popularity as they air. This provides users with a new TV discovery tool and a refreshing alternative to the traditional electronic programming guide (“EPG”), which requires users to scroll through a randomly ordered list of networks and programs. In addition, when a user inputs their cable or TV provider information, SocialGuide provides the localized channel information, defaulting to the High Definition channel number for digital subscribers. With data showing that 50% of TV viewers do not watch their HD channels on their systems, this provides another useful benefit for users. SocialGuide’s genre filter allows users to quickly filter trending shows by categories such as series, reality show, movie, sports, or news.
The SocialGuide app also provides TV watchers with a new social companion to enhance their TV watching experience. For any program with social activity, SocialGuide provides filtered social streams so that users can follow along with the social conversation about that program. In real-time, users can monitor the social comments from “Everyone”, or all the social TV comments about that particular program. SocialGuide also surfaces a “Friends” stream so users can chose to see only what their social friends and followers are saying. And for thousands of programs and sporting events, SocialGuide has programmed the official social accounts for the stars and athletes, allowing users to enjoy what the “Cast & Team” has said about that program. Users can also easily share what they are watching with their friends and send their own comments to Twitter or Facebook directly from the SocialGuide app.
Pricing and Availability
SocialGuide is a Free download and available worldwide exclusively through the App Store in the Entertainment category.
Nyxio is fast becoming a leading-edge driver and developer of technology for the consumer electronics industry. Nyxio focuses on identifying technological deficiencies in the marketplace and develops reasonably priced, creative solutions ahead of the innovation curve. Through the consolidation of key hardware components, Nyxio strives to improve operating efficiencies and to reduce the overall environmental footprint of end users.
Effective earlier this month, Nyxio trades on the Over the Counter exchange (OTC) with the symbol NYXO.
The VioSphere’s fully integrated design offers the following features:
A Ukrainian company, DIVAN.TV, has launched a new over the top (OTT) multimedia console with the aim of bringing Smart TV and payment systems to Ukraine by this autumn. It’s targeting a million households by 2014 throughout eastern Europe and the CIS states and is currently the only such service provider in this market.
When connected to TV sets, the media players will provide multiple services: TV, VOD, messaging, internet, video conference and e-commerce applications, serviced by electronic payment system MoneXy. The player currently sells for around $125 but the company intends to bring this down to $100.
DIVAN.TV’s main financier is AVentures Capital, which, since 1994, has realised more than 30 projects in such areas such as commercial property, IT, telecommunications, media, the internet, and alternative energy sources. It has a turnover of $1 billion. Its board chairman is Andrii Kolodiuk.
Crucially for the Ukrainian market, OTT consoles, with their built in wireless connectivity, require no hardware or advanced knowledge on how to operate. Content can be delivered via the Internet. Kolodiuk predicts that the main buyers of the service will be people who can’t afford to buy a computer, and therefore do not have access to the Internet.
These predictions are backed up by the statistics. According to market research company GFK-Ukraine, in 2010, of 18.7 Ukrainian households, the number with a TV, was 16.63 million but two thirds could access only 5-7 channels. Additionally, of those aged 45-50 only 15% had access to the internet.
Kolodyuk also expects the service to be used by the 5 million Ukrainians living outside Ukraine who will be attracted by tools enabling regular contact with relatives, payment for goods and services for elderly parents and the option of watching Ukrainian TV, via content from providers such as Yakaboo, TV.ua, Zakaz.ua, Correspondent.net. and Telegroupe .
"I have long been interested in this market. DIVAN.TV – is the only product of this kind. Currently there are very limited possibilities for television in Ukraine, these have not changed since TV’s invention. The efforts of GoogleTV , AppleTV etc. have not worked here. We are ahead of them all - the first to create a unique solution for our markets. The purpose of DIVAN.TV is to bring back the central status of the TV and sofa to each home. "
An extensive and forward thinking report by national innovation agency, the Technology Strategy Board, has put forward a persuasive argument for the development of a “future internet” which has the potential to transform the fabric of the UK’s business and society. The Future Internet Report identifies between £50 billion and £100 billion annual benefit to the UK but also stresses that further research and increased security in data protection are needed before this can become a reality.
The UK already has much of the infrastructure in place to realise huge savings in public expenditure, business opportunities and become a global leader in ICT with the adoption of a future internet. The report commissioned by the TSB’s ICT network, identifies exciting opportunities in the evolution of the present internet, with the possibility of connecting people with objects or machines and, in some cases, machines with other machines : an “internet of people and things.”
In recent months, companies from Google to small start-ups have been looking at connecting people and objects, from washing machines and light bulbs to buildings, to create an internet of things. One step further is advanced machine to machine communication, such as integrated transport systems enabling people to travel more efficiently, with the lowest impact to the environment – an “internet on wheels”.
This week, the BBC reports that scientists from the University of Bologna in Italy have already developed software enabling cars to "communicate" with one another on the road. The future internet is almost already here.Add a comment
Audible Magic, the recognized global leader in digital fingerprinting technology and content identification solutions, today announced that it has been awarded U.S. Patent No. 7,917,645, entitled “Method and Apparatus for Identifying Media Content Presented on Media Playing Devices.” Formally issued on March 29, 2011, the patent, Audible Magic’s fifteenth in the area of digital fingerprinting and content identification, demonstrates the company’s continuing commitment to groundbreaking innovation in this fast developing technology segment.
Specifically, the newly awarded patent addresses the identification of media as it is played on devices such as smart TVs, tablets, set-top boxes, and smart phones. This patent is a fundamental building block of Audible Magic’s SmartID™ system, which enables social TV, interactive advertising, TV commerce, personalization, and other related applications. The patent is a notable addition to Audible Magic’s already impressive portfolio of patents in digital fingerprinting and content identification.
“The awarding of this patent exemplifies Audible Magic’s continued long-term investment in building foundation technology for content identification, and our desire to protect our intellectual property” said Jim Schrempp, Audible Magic’s Vice President of Core Engineering. “The dramatic growth in smart devices and the explosion of social media applications demonstrate the significance and value of this patent in our portfolio.” Audible Magic licenses use of its intellectual property via its portfolio of services.
The company also today introduced the SmartSync System, a solution specifically aimed at synchronizing events on smart devices to content being played from other media playing devices.
Available on iOS, Android, OSX, Linux and Windows platforms, the SmartSync API enables developers to build unique applications for a wide range of devices such as smart TVs, smart phones, tablet computers, game consoles, set-top boxes, and specialized appliances.
According to researchers at the Mobile Interactive Group (MIG), a growing "Social Participation TV" trend means that 40% of mobile users already "multi-task" - using their phone while watching TV. In a white paper on the trends and opportunities in participation TV (P-TV) services, MIG believes that it has uncovered key technological and behavioural insights in to the entire P-TV value chain.
Interactive events conducted via Facebook are also predicted by MIG to generate £32 million (€36 million, $52 million) in the UK by 2012.
Already, Facebook mobile accounts for some 350 million users globally. By 2016, this should equate to revenues of £1.8 billion (€2.05 billion, $2.9 billion) worldwide, MIG indicated.
“Social participation TV is a huge opportunity for MIG and our broadcast partners, with mobile featuring as the key enabler and engagement tool. The mobile device is ingrained in our daily lives, and is rapidly becoming a core component in the ability to create an interaction between the viewer and the TV. As a medium, TV continues to be the biggest and best in terms of attracting a large audience; and mass P-TV shows like Big Brother remain the cornerstone for broadcasters in terms of interaction and entertainment, whilst also opening new revenue channels.”
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Starting this summer, Amazon will add 2,000 episodes to grow the total number of Prime instant videos to more than 8,000 movies and television shows, and offer full seasons for 18 popular television series, including The Tudors, Numb3rs, Medium, the complete Star Trek franchise, Frasier and Cheers.
The deal is more or less a replica of the pact CBS and Netflix struck in February.
AllThingsD about the deal:
Amazon says the new titles will bring its streaming library up to 8,000 titles; Netflix boasts around 20,000 titles for its digital-only library. For now, Amazon’s Web video titles are free to customers who use its “Prime” delivery service, but industry observers assume that library access will also be a big part of the new iPad-like tablet the company is expected to unveil this fall.
Best-case digital scenario for big media players
AllThingsD continues that "the company gets to take old shows and resell them multiple times (and maybe more, as Microsoft, Apple, and others eye the market), and doesn’t have to worry about cannibalization.
Things get much trickier when consumers decide they want to watch current programing, though. That stuff continues to be worth much more to studios and networks when it runs on broadcast or cable TV, but convincing viewers to play along is getting increasingly difficult."
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According to In-Stat survey results, nearly two-thirds of smartphone owners have watchedvideo on their device, while nearly 86% of tablet owners have done so. Forecasts from a new In-Stat research, show that mobile video consumption is going to surpass 693 billion minutes by 2015.
Amy Cravens, Market Analyst at In-Stat, says:
“As content restrictions are liberalized and the proliferation of smartphone and tablet devices continues to expand, so too will mobile video consumption. However, it is important to note that the consumption differs significantly between smartphones, tablets, and notebook/netbooks. Differences include content length, content genre, and content acquisition. Content providers need to customize their offerings by target platform.”
Some of the research findings include:
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